TEDE Communidade:
http://www.bdtd.uerj.br/handle/1/3641
2024-03-26T14:02:41ZDenunciar o presente sob a pena do tragicômico: humor e resistência em João Melo e Pepetela
http://www.bdtd.uerj.br/handle/1/21632
Título: Denunciar o presente sob a pena do tragicômico: humor e resistência em João Melo e Pepetela
Autor: Matos, Mayara Neres
Primeiro orientador: Amorim, Claudia Maria de Souza
Abstract: João Melo and Pepetela are Angolan writers whose works have already been consolidated, not only in Angola, but outside their home country. However, they are still authors, for various reasons, little studied and their works have practically not gone beyond the spaces of Lusophony. This research seeks to emphasize how the works of these two writers, in addition to dialoging with national themes, have characteristics that transcend the Angolan space, becoming works of a universal nature. To this end, we consider the presence of the laughable or the tragicomic in some of their narratives as a poetic way that is structured in a writing that goes beyond the direct denunciation of Angolan social issues. In other words: this thesis seeks to study some narratives by João Melo and Pepetela that, through the tragicomic way, find a poetic way to give new meaning to the present through irony, to sharply point out the historical and social inconsistencies experienced in Angola. We choose the works Jaime Bunda – agente secreto (2001) and Jaime Bunda e a morte do americano (2003) by Pepetela; and O dia em que Charles Bossangwa chegou à América (2020) by João Melo. The critical support for this investigation is based on literary theory, psychoanalysis and sociology, in addition, of course, to critical studies by researchers of Angolan literature. We consider that, through the penalty of irony, the authors inaugurate the discourse of dystopia, which provides support for these works to go beyond Lusophone spaces. The humor found in the chosen works places them, in our view, on the canonical level of universal literature and, in a reinvigorated and resistant way, the authors deal with the ills of contemporary Angolan history; João Melo y Pepetela son escritores angoleños cuyas obras ya se han consolidado, no solo en Angola, sino fuera de su país de origen. Sin embargo, siguen siendo autores, por diversos motivos, poco estudiados y sus obras prácticamente no han traspasado los espacios de la lusofonía. Esta investigación busca enfatizar cómo las obras de estos dos escritores, además de dialogar con temas nacionales, tienen características que trascienden el espacio angoleño, convirtiéndose en obras de carácter universal. Para ello, consideramos la presencia de lo risible o lo tragicómico en algunas de sus narrativas como una forma poética que se estructura en una escritura que va más allá de la denuncia directa de las problemáticas sociales angoleñas. En otras palabras: esta tesis busca estudiar algunas narrativas de João Melo y Pepetela que, por medio de la vía tragicómica, encuentran una manera poética de dar un nuevo significado al presente a través de la ironía, para señalar con agudeza las inconsistencias históricas y sociales vividas en Angola. Elegimos las obras “Jaime Bunda — agente secreto” (2001) y “Jaime Bunda e a morte do americano” (2003), de Pepetela; y “O dia em que Charles Bossangwa chegou à América” (2020) de João Melo. El sustento crítico de esta investigación se basa en la Teoría Literaria, en el Psicoanálisis y en la Sociología, además, por supuesto, de estudios críticos realizados por investigadores de la literatura angoleña. Consideramos que, a través de un tono irónico, los autores inauguran el discurso de la distopía, que brinda soporte para que estas obras vayan más allá de los espacios lusófonos. El humor presente en las obras elegidas las sitúa, a nuestro juicio, en el nivel canónico de la literatura universal y, de forma revitalizada y resistente, los autores abordan los males de la historia angoleña contemporánea
Instituição: Universidade do Estado do Rio de Janeiro
Tipo do documento: Tese2023-10-31T00:00:00ZA autonomia feminina nos contos de Guiomar Torresão
http://www.bdtd.uerj.br/handle/1/21628
Título: A autonomia feminina nos contos de Guiomar Torresão
Autor: Macedo, Bianca Gomes Borges
Primeiro orientador: Cruz, Carlos Eduardo Soares da
Abstract: In nineteenth-century modernity, women began to occupy more public spaces and jobs, however, the division of tasks and the sexual segregation of spaces were still widespread. Based on the life trajectory and writing of Guiomar Torresão with themes about women's freedom in choosing their husbands, the right to education and a profession, we analyze the way in which female characters were worked in some short stories from the works Rosas Pálidas ( 1877), A comédia do amor (1883), Idílio à inglesa – Contos modernos (1886), As batalhas da vida (1892) and Flávia (1897) seeking a break with the patriarchal and conservative molds imposed on women in nineteenth-century society. We started from the hypothesis that the selected stories, whose preferred readers were women, also helped to defend feminine transformations, freeing women from the private sphere. In this way, the objective is to understand how the emergence of new moral values and social transformations contributed to short story writing with representations of women in the private and public spheres. The examples of professionalization that could lead women to liberation from educacional ignorance and on the path to independence, in addition to favoring Guiomar Torresão's own situation as a literary professional, are also present in this study
Instituição: Universidade do Estado do Rio de Janeiro
Tipo do documento: Dissertação2023-10-24T00:00:00ZUsos do aspecto verbal, em Português do Brasil, por falantes nativos de árabe: indicações para o ensino de Português como Segunda Língua
http://www.bdtd.uerj.br/handle/1/21624
Título: Usos do aspecto verbal, em Português do Brasil, por falantes nativos de árabe: indicações para o ensino de Português como Segunda Língua
Autor: Oliveira, Cristiane Vieira Ribeiro de
Primeiro orientador: Ribeiro, Alexandre do Amaral
Abstract: This Master's Thesis is part of the area of Teaching Portuguese as a Non-Mother Tongue, focusing on the teaching of Brazilian Portuguese to foreigners. It takes as its object of study, specifically, the construction of the notion of verbal aspectuality and its uses by foreigners, speakers of Arabic, Considering the challenges experienced by these learners due to the influence of their mother tongue. It aims to describe the notions of aspectuality in Arabic and Brazilian Portuguese; compare the differences between the notion of aspectuality in Arabic and Brazilian Portuguese; identify the difficulties and analyze the uses of aspectuality by Portuguese learners, Arabic speakers; systematize the needs of the target audience in relation to learning verbal aspect in Portuguese. As part of the methodological procedures, it uses transcriptions of reports published in videos, collected online from the Youtube video sharing platform. Regarding the theoretical bases that support the present research, it uses studies not exclusively dedicated to Portuguese Non-Mother Tongue (PLNM) studies, which deal with aspectuality in a more general way. From this, it thinks about what are the differences, in terms of proximities and distances, between the notions of aspectuality in the Portuguese and Arabic languages; if there are significant distances, what information resulting from this is relevant for teachers to propose appropriate strategies for teaching aspectuality to Arabic speakers; what indications, in didactic-methodological terms, can be offered to the area of Teaching Portuguese as a Second Language in order to contribute to the improvement of the proficiency of Arabic speakers in Brazilian Portuguese
Instituição: Universidade do Estado do Rio de Janeiro
Tipo do documento: Dissertação2023-08-24T00:00:00ZHistória social enquanto tragédia: leitura de Luta de gigantes, O olho de vidro e O senhor do paço de Ninães (de Camilo Castelo Branco)
http://www.bdtd.uerj.br/handle/1/21613
Título: História social enquanto tragédia: leitura de Luta de gigantes, O olho de vidro e O senhor do paço de Ninães (de Camilo Castelo Branco)
Autor: Oliveira, Fabiana de Paula Lessa
Primeiro orientador: David, Sérgio Nazar
Abstract: The 19th century witnessed profound transformations, a consequence of the Industrial Revolution, which provoked the emergence of the proletariat in large cities, and the French Revolution, which, with its ideal of Liberty, Equality and Fraternity, altered social relations. Absolutism gave way to liberalism. Consequently, economically, free competition was established and, politically, individual freedom was defended. Capitalist and liberal, the bourgeoisie built a materialist civilization, developed capitalism and controlled politics. In this historical-social context, the novel asserts itself as the hegemonic genre to represent bourgeois values and literature becomes democratized. The objective of this thesis is to analyze, in a comparative perspective, the historical novels of Camilo Castelo Branco (1825-1890), in dialogue with the so-called contemporary novel. Our focus is on the historical novel: Luta de Gigantes (1865), O Olho de Vidro (1866) and O Senhor do Paço de Ninães (1867). Here Camilo revisits the last three centuries of Portuguese history: the disappearance of King D. Sebastião (1554-1578) in Alcácer-Quibir, the loss of independence in 1580, the Revolution of 1640, the war of restoration (1640-1668) and the Inquisition (1536-1821), analyzes them critically, points out the intertwining of the individual with the collective and brings to the center of the narrative the concept of history as a tragic story. For Camilo, repetition and the unknown never cease to haunt man; El siglo XIX fue testigo de profundas transformaciones, consecuencias de la Revolución Industrial, que provocó el surgimiento del proletariado en las grandes ciudades, y de la Revolución Francesa, que, con su ideal de Libertad, Igualdad y Fraternidad, alteró las relaciones sociales. El absolutismo dio paso al liberalismo. En consecuencia, en el ámbito económico se instauró la libre competencia y en lo político se defendió la libertad individual. Capitalista y liberal, la burguesía construyó una civilización materialista, desarrolló el capitalismo y controló la política. En este contexto histórico-social, la novela se afirma como el género hegemónico para representar los valores burgueses y la literatura se democratiza. El objetivo de esta tesis es analizar, en perspectiva comparada, las novelas históricas de Camilo Castelo Branco (1825-1890), en diálogo con la llamada novela contemporánea. Nuestro enfoque es en lá novela histórica: Luta de Gigantes (1865), O Olho de Vidro (1866) y O Senhor do Paço de Ninães (1867). Aquí Camilo repasa los tres últimos siglos de la historia portuguesa: la desaparición del rey D. Sebastião (1554-1578) en Alcácer-Quibir, la pérdida de la independencia en 1580, la Revolución de 1640, la guerra de restauración (1640-1668) y la Inquisición (1536-1821), los analiza críticamente, señala el entrelazamiento de lo individual con lo colectivo y trae al centro de lo narrado la concepción de la historia como relato trágico. Para Camilo, la repetición y lo desconocido nunca dejan de acechar al hombre.
Instituição: Universidade do Estado do Rio de Janeiro
Tipo do documento: Tese2023-04-28T00:00:00Z