Biografemando a experiência do grupo de dança sobre rodas Corpo em Movimento: entre a produção de normalidade e as astúcias criadas pelos corpos

Abstract

This research proposes an exercise of thought about the tensions between normality produced in the bodies, specifically in the bodies of dancers of the dance on the wheels team Corpo em Movimento , and the wiles, tatics created in the daily practice that make the dance like a resistance. Historically, the condition of this dancers was thought and produced like a lack, a kind of standard deviation, instituted as a rule. In this context, the dance presents as a proposal of rehabilitation and normatization of the subject, but somehow this subjects produce breaches to keep like a possibility of existence in a space hegemonically instituted. The research presents the trajectory of dancers of the dance on the wheels team Corpo em Movimento . An attempt that intend bring the questions that affect them and the effects that they suffer due this naturalization of the body understood like not normal. So, taking the body as reference in this research, we weave the concepts from Michel Foucault and Michel de Certeau in attempt of problematize the historical process of production of normality space, like a part of discursive practice instituted, naturalized and perpetuated and, still, conceptualize the wiles the arise in confrontation of a body logic normalizing, establishing standard that works like representation of the real. Suggesting the wiles created by the bodies like a way to resistence of instituted. The research makes emerge biografemas and biofotografemas , based in Roland Barthes s concept, like a way to describe the effects that arise between the dancers s bodies and the researcher s body. The themed insert in the field of pedagogic discussion of the difference because approach a fundamental theme for the scenery of inclusive education, specially about the ways of production of a subject that resides in a body on the wheels.