Georges Bataille e a filosofia: um projeto romântico de erotismo

Abstract

German Romanticism seems to defy any attempt of analysis, not only for its diversity that resists the attempts of reduction to a common denominator, but also and, especially, by its character of contradiction. This aspect appears to be observed in Bataille s work as well, which is, in general, based on instability, on the vertigo of the abyssal and tragic thinking, on the unstable, on the double, on a plural ontology contrary to the homogeneous rationality, stable and closed in its sense. His work, and also his thoughts, seem to be fluid and to deal with men equally soluble that are defined precisely by their dissolution. This would be the primary theme of the book The Eroticism.This work is an attempt to analyze these analogies, using especially Hölderlin and Schlegel, to approach an initial phase of German Romanticism and the legacies left to Nietzsche, like an expression of a final stage, in the framing of human course, in the search for the origin and for the self, which always ends in dissolution. At last we will intersect these thinkers with Battaille, to expose not only their influence upon him, but, especially because the latter appropriates the first ones in creativity, to criticize the parlance and the philosophy, and present the proposal of a hermeneutic in which the language is interpreted through the death of the language and in its transgression, being, then, here approached as a mystic hermeneutic, which addresses the re-significance for the places of establishment of philosophic debates and philosophy itself.