Do estético ao político: inscrições feministas na produção de Patrícia Galvão e Tarsila do Amaral

Abstract

This dissertation proposes to carry out a comparative analysis between Parque Industrial, by Patrícia Galvão, and Operários, Segunda Classe e Costureiras, by Tarsila do Amaral, in order to consider the feminist inscriptions present in the mentioned novel and paintings. To meet these objectives, therefore, the comparative approaches proposed by Tânia Carvalhal were considered, which consist of, through an interdisciplinary study, breaking through the hierarchy chy in the forms of artistic expression. Thus, the interartistic and intermediary studies proposed by Claus Clüver are considered here, while taking into account the mimicry present in the forms of inscription, proposed by Barthesian conceptions. By considering, in this way, the potential of referentiality of the signs in question, sociological relations promote reflections on issues related to gender, race, class and sexuality, in order to take into account important concepts about the intersectional feminism. This analysis provides, therefore, a theoretical study that proposes to establish, also, reflections on socioeconomic practices that permeate the construction of a more just and egalitarian society.