ABRACADABRA: O Cinema na rua entre Bordas e Brechas na cidade do Rio de Janeiro

Abstract

The purpose of this paper is to research the experience of NA street cinema as a form of solidarity, occupation and reexistence. We take as a central question the following question: What happens when cinema occupies the street? The guiding thread of the investigation is established from the theoretical assumptions of Judith Butler (2018) to think of NA street cinema as a political form, with a meaning beyond discourse, but corporeal, collective and performative. From this statement, it is intended to investigate the political powers of cinema experiences that occur in urban spaces, that is, a cinema as experimentation, beyond the standard cinema form (PARENTE, 2013). The hypothesis presented is that the experiences of sounds, images and affects build displacements of people in the city, inviting them to exist collectively in this space, which we claim to be communicational par excellence. To analyze NA street cinema, we make use of the multimetological process of associating Bruno Latour's Actor Rede Theory (2012) with the concepts of performativity and provisional assembly found in Butler, which will help to undertake the observation path in Cine Vila and Cine Giro projects.