Ritornelo: a música da terra

Abstract

The problem of expression composes life with inhumane intensities and unthinkable horizons. Particularly, Art is a procedure that makes the imperceptible sensitive. Thus, music deals with the escape lines and the deterritorialization that drag the body and the territories away. The Earth, the Deterritorialized one, is purely musical; even if the sounds, the individuals and subjects have not yet been built. Before the consolidation, the expressive matter distributes itself through the consistency plane, where the compositions are necessarily implied to the non-formed. The metric or striated space is a molar distribution which does not meet the plain topology of the space per se, but rather, belongs to it. The expressiveness is unique. The terms do not exclude one another, they result in infinitesimal relations. The difference is set, not from the beginning; the difference is the way in which the happenings take place. A body, a formation or a song are real differences passed through virtual multiplicities. The language demands silence, the organic is produced by the inorganic life networks, the territories are done and undone by deterritorializing vectors... Thought explains nothing. The thought does not explain a thing. The absolutely infinite can be thought and felt through the relatively infinite, which has its strength and proliferation power in the abstractionism of nature. The significations, the organisms, structures, faces and power games are only references for a movement out of the terms. The escape is the first movement, the only one that remains beyond itself. The music of the Earth is terribly beautiful.