Entre Literatura e Dança: Da escrita ensaística às movimentações dançantes na obra Um beijo dado mais tarde, de Maria Gabriela Llansol

Abstract

Maria Gabriela Llansol possesses a way of writing composed of movements, a language formed by the manifestation of the being. In this work, we look for the relationships between sense, dance and essay, specially in one of her works, um beijo dado mais tarde. It’s of general conception that the writing of Llansol is hermetic, hard to understand, abandoning the idea of reader and writer from one fixed space, just like it happens in the contemporary dance, in which it is possible to see one person from any angle. The llansolian literature asks for a new species of reader, one who Llansol calls legente, the one who reunderstands the act of reading, one who not only matches the flow, but can also conduct it. To better understand what can be comprehended as legente, we will analize the spaces of Llansol as licenses so that the reader may think about the text. I use license, and not invitation, because I believe that in our daily language (spoken), we do not invite our interlocutor to think about what he wants to, but it is common that during speech our interlocutor thinks whatever he wants to. Therefore, I believe that Llansol opens these spaces to the thought, to reflection. All that is thought about the text becomes text itself, and the fragmentation and movements of the writing become the writing itself, a text that is Llansol, a text that is the reader