Discos rígidos: uma proposta audiovisual para uma experiência intersubjetiva no tempo

Abstract

Based on an artistic experience that took place during a time of crisis (political and health), this dissertation explores a set of reflections on the paths of an act of counter-effectuation that arose in the face of the horizon of uncertainty that emerged during the pandemic. This, in turn, occurred amidst the confines of a situation of social isolation, at which time a temporary base was set up inside a small apartment located in Senador Camará, a peripheral neighborhood of Rio de Janeiro, in order to collect from this place a handful of “force-materials” from the noises and rhythms that ran through the entrails of this problematic locus. Within this, an autopoietic movement was driven by concepts such as “rhythm” and “block of sensations”, created by Deleuze and Guattari, served as theoretical tools to think about the production of a type of existential territory possible through the transformation of an environment of restrictions into the very place of an artistic experience