Outros modos de ver e ler noite na taverna, de Álvares de Azevedo: olhares intermidiáticos

Abstract

This dissertation aims at analyzing the short stories that make up the work Noite na Taverna (1855), by Álvares de Azevedo, through the following theoretical-methodological foundations: Intermediality (RAJEWSKY, 2012; 2020), with an emphasis on the study of evocation and pictorial representation in the iconotext (LOUVEL, 2006; 2012); and understanding about the narrative development of female characters (CUNHA, 1998; 2000; 2004), since many of the references and imagistic constructions happen from the male gaze on the figurations of women constructed in the short stories. In this way, we aim to discuss and highlight new possibilities for reading the stories narrated in the tales, verifying how the gaze (CARDOSO, 1988; CHAUÍ, 1988) can be trained and qualified to produce interpretations that seek to establish inter-media dialogues in the textual configuration of the literary work in focus.