Sombras do desassossego: a pena e o livro

Abstract

The dissertation aims to deal with questions that have emerged from the passages of the Book of Disquiet, attributed to Fernando Pessoa, Bernando Soares and Vicente Guedes. The questions raised are related to its form, its condition as a work of art, and its content, they, the questions, discuss the work's editorial and publishing conditions, its multifaceted, in character and form constitution. Together with the ideas that were to be found during the reading, this conjuncture draws to an ontological destabilization of the being of the writing, which was raised by a profound disquiet in face of the world and art itself, which puts in perspective the notions of a one that writes, the notion of the object “book”, and the notions of truth and autobiography. Under the unearthly inaptitude of comprehending the world and the self, this dissertation verifies the mimicry of the death of everything that in the Book, in each passage and each voice, erects itself, alike the life, the death, the myselves, the others, the ideas, and the facts. This writing also distinguishes the immense desire to eternize the ephemeral life of the literary arts, searching, by that, a new meaning for what crumbled. For these intentions, the writing inscribes itself in the theater of the others