Um cronista no meio do caminho ou no meio do cotidiano tinha a lírica: o trivial perdido em Carlos Drummond de Andrade

Abstract

From the research of the prose production-more specifically, the Chronicle-of Carlos Drummond de Andrade and his dialogue with the lyricism present in his texts in verse, responsible for the projection of the writer, this work aims to provide a reflection On the relevance of the chronicles produced by the author, texts that present lesser repercussions in the academic sphere, despite its great importance and expression. The corpus of the investigation includes the works of Speech, Almond (1957), Rocking Chair (1966) and Moonlight (1984), besides the chronicle with which Drummond ends its trajectory in the newspaper of Brazil. Observing the intense relationship of the miner author with the texts of the journalistic sphere and its production of 6000 chronicles, in works that reached almost the same number of editions of those who achieved their productions in verse, it is intended to highlight the art of merging the The use of trivial and everyday elements and the informal language, the Chronicle, the lyrical and poetic language, in a singular way. To this end, the present work will present the analysis of nineteen Chronicles of the selected Works (eleven chronicles published in speech, Almond, investigated in chapter two, and eight different chronicles, published in Rocking chair, Moonlight Mouth and in the Journal of Brazil, investigated in the third chapter), in addition to proposing reflections on the Chronicle as an important textual genre, and on the ways in which Carlos Drummond de Andrade establishes a relevant dialogue between the chronicle and the poetic text, providing a rich Contamination and friction between these two genera.