Corpo, palavra, som, imagem: o DNA do eutro no n.d.a , de Arnaldo Antunes

Abstract

Let us consider the concept of poiesis, as Arnaldo Antunes put it: "creative space - as a space of power before the world." Thus, the word, in the poetics of Arnaldo Antunes, is not necessarily a vehicle, but a potential transformative unit. Word and thing become a double-way, in which the outer / inner transit, the self / other, provoking tensions, dissonances, estrangement, form a singular unity, unfolding in a critical, poetic, and semiotic perspective. Arnaldo Antunes in a sort of "original" rapprochement between poetry and language reconsiders the relationship between us and the world, which, in a more appropriate way for a reflection on the eutro makes us think about the relation between the self and the other, does not only as a symbiosis between the poles of subjectivity and objectivity, but also makes us reflect on a lively and intense relationship between poetry and language itself. This dissertation aims, in the light of the critical purpose of poetic metalanguage, to (re) know, to investigate the eutro in the poetry of Arnaldo Antunes. For the development of this work we will have as basis the book of poems n.d.a. (2010), of the poet in question.