Literatura e cinema: uma leitura do feminino no romance Crônica da casa assassinada, de Lúcio Cardoso, e no filme A casa assassinada, de Paulo César Saraceni

Abstract

The present work aims at executing an Intermedia study between the novel Chronicle of the Murdered House (1959), by Lúcio Cardoso, and the film The Murdered House (1971), by the Brazilian filmmaker Paulo César Saraceni. The scope of the is connection will have as its basis the studyof several media, focusing on the construction of the feminine both in the literary text and film adaptation, based on the assumption that the referred feminine constitutes the essence of Lúcio Cardoso s literary and poetic practice. It is in our interest to investigate how the filmmaker works with Cardoso s fictional construction in the process oh media transposition. In both the literary and filmic narratives, which are going to be investigated, our research hypothesis is that, besides being directly responsible for transgressing rules as a means of societal liberation of societal liberation and contestation, the feminine depicts political, sociological and philosophical convictions of the novelist from Minas Gerais, which is going to be corroborated in Saraceni s film adaptation