A resistência entre nós: o estar-junto da arte no mundo contemporâneo

Abstract

The thesis presents a reflection interested in a specific tendency of contemporary art production in which the collective experience takes the works of art over, ensuring situations that the relational and affective interchange is one of the more essential goals. From that, it is reflected how the condition of being together has became more and more evident in art. It is proposed some kind of classification that presents six being together forms perceptible in works of art in which the collective dimension is the purpose. Thus, an acurate investigation is necessary to explore the relational configuration that came out by them. To pursue, To interweave, Outrar-se , Attack, To shelter and Encounters. Six different ways of being together promoted by contemporary art, capable to point to a path where the common is the purpose, in which all being is composed by an inevitable with . Therefore, the philosophers who thought about the concepts of Community and biopolitics were fundamental references for an analysis able to comprehend the social production perspective that includes the subjectivity production in contemporaneity, the consequent background of contemporary art interested in the relational and convivial dimension of life