Nandaia Nandaia - vamos todos nandaiá? Um estudo sobre o Cururu e o Siriri de Mato Grosso

Abstract

This research sought to elucidate the historical process of legitimizing the dances Cururu and Siriri undertaken by the subjects of their practices, their relations of exchange and negotiations. Based on ethnographic notes the text presents the cururu and siriri constituted through ethnic-racial combinations and points out the place of these traditions in contemporaneity as well as dialogues established with different segments institutional and technical, technological and mediatic appropriations used to reproduce cururu and siriri over time. It presents the poetic-musical narrative articulations powered in the subjective context whiles categories ambivalent to compose memories, experiences, religiosity, work, conflicts, expressed in the form of song. The construction of the iconography of these groups in the social imaginary part of the presupposition that they channel symbolically expressive cuiabana. Transiting between the local and the international these dances bring afloat updates on the festive sociability of groups, as long as their exhibitions are now directed for big shows. The text goes through the analysis of the discourse of identity, memory, tradition and popular culture in interpretation of the subjects. In this sense, the text reports the innovative and spectacular character of the Festival event and the updates that the subjects make, in face of the practices they represent, so that their traditions are integrated into the new role in relation to contemporaneity