Origem regular: devir-camelô, atos performativos de porrância e a vida como obra de arte

Abstract

The relevance of this dissertation is not only due to the mapping of public and collective space - the Subway/RJ, in the way in which it potentializes the relations of domination in the movement of people through the city, but also through the street vendor-body that acts as a performer against this domination; by the life of these same peddlers as a artwork, having the vitality of the encounters, the widening of the fields of politics and aesthetics can be broken. A becoming-peddler. The dissertation/documentary Regular Origin aims to present the daily life of three street vendors; speak and show the paths and struggles of the working class for their own lives. Work, life, and art mingle; proposing the act of existence, life as a work of art. In methodological terms, the meetings and affections created were based on participant observation, creating zones of contact between the space itself of the Subway/RJ and the camera in motion. The results were: the satisfaction of the participants/characters telling their stories, the identification of problems in relation to employment and income policies in the State and city of RJ, the collectivity of the aesthetic-political struggle of mobile workers in the Subway/RJ, creating Performative Acts of Porrância . Therefore, the dissertation revolves around a guerrilla micropolitical power, an operation proper to artistic action; that is, in the systemic commotions of a common shared together with the form of work, art and life (as a artwork); which focuses on social experience: an art that strategically takes sides in the intersections of social relations, which intercedes dissent and consensus, placing the working class in prominence