O real no imaginário: estéticas realistas nas ficções nacionais contemporâneas

Abstract

Grounded in the traditional discussion between the formative and realistic proposals in cinematographic theory and in the perception of blurred boundaries between the fictional and non-fictional genres, the present study has intended to analyze on contemporary national fictions the application of techniques that evoke realistic indexes at its productions. Although the blend at documental and fictional can be seeing in some films since the first cinema, the distinction between these genres has become especially blurred and usual from the technological development and digital imaging technologies. This research perceives that the use of documental methods by the fictional films brings creditability features to its speech. At the national films which board quotidian themes, the reality is evoked by the references to historical facts and real events, and the use of documentary basic techniques brings reality effects to these films, incase the speech with authenticity. The casual aspects and improvisations inherent to documentary model and the stylistics options adopted by the fictions emphasize the blurriness at the boundaries what is fictional and non-fictional within these films, motivating another sight about the reality exposed on the stories